Tobacco History:
The Social History of Smoking
by George Latimer Apperson
First published in 1914
"The Social History of Smoking" by George Latimer Apperson, can be purchased at Amazon.com in two different versions. Depending on the quality of the edition, prices range between $35 and $104.
From Chapter 4: There is a curious entry in Thomas Burton's diary of the proceedings of Cromwell's Parliament, which suggests that there may then have been the luxury of a members' smoking-room. Burton was a member of the Parliaments of Oliver and Richard Cromwell from 1656 to 1659, and made a practice—for which historical students have been and are much his debtors—of taking notes of the debates as he sat in the House. Members sometimes objected to and protested against this note-taking, but Burton quietly went on using his pencil, and though his summaries of speeches are often difficult to follow, argument and sense suffering by compression, he has preserved much very valuable matter. Referring to a debate on January 7, 1656-57, on an attempt to go behind the previously passed Act of Oblivion, the diarist records that "Sir John Reynolds had numbered the House, and said at rising there were 220 at the least, besides tobacconists." This can only mean that there were at least 220 members actually present in the House when it rose, not counting the "tobacconists" or smokers, who were enjoying their pipes, not in the Chamber itself, but in some conveniently adjoining place, which may have been a room for the purpose, or may simply have been the lobby referred to above in the extract from "Mercurius Pragmaticus."
From Chapter 7: It has sometimes been said that Swift smoked; but this is a mistake. He had a fancy for taking tobacco in a slightly different way from the fashionable mode of taking snuff. He told Stella that he had left off snuff altogether, and then in the very next sentence remarked that he had "a noble roll of tobacco for grating, very good." And in a later letter to Stella, May 24, 1711, he asked if she still snuffed, and went on to say, in sentences that seem to contradict one another: "I have left it off, and when anybody offers me their box, I take about a tenth part of what I used to do, then just smell to it, and privately fling the rest away. I keep to my tobacco still, as you say; but even much less of that than formerly, only mornings and evenings, and very seldom in the day." One might infer from this that he smoked, but this Swift never did. His practice was to snuff up cut and dried tobacco, which was sometimes just coloured with Spanish snuff. This he did all his life, but as the mixture he took was not technically snuff, he never owned that he took snuff.
Another cleric of the period, well known to fame, who took snuff but also loved his pipe, was Samuel Wesley, rector of Epworth, Lincolnshire, from 1697 to 1735. He not only smoked his pipe, but sang its praises:
In these raw mornings, when I'm freezing ripe, What can compare with a tobacco-pipe? Primed, cocked and toucht, 'twould better heat a man Than ten Bath Faggots or Scotch warming-pan.
Samuel's greater son, John Wesley, did not share the parental love of a pipe. He spoke of the use of tobacco as "an uncleanly and unwholesome self-indulgence," and described snuffing as "a silly, nasty, dirty custom."
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From Chapter 8: Angelo gives some lively pictures of scenes of this kind in the London of about 1780. The Turk's Head, in Gerrard Street, was the meeting-place for "a knot of worthies, principally 'Sons of St. Luke,' or the children of Thespis, and mostly votaries of Bacchus," as the old fencing-master, who loved a little "fine writing," describes them; and here they sat, he says, "taking their punch and smoking, the prevailing custom of the time." About the same time (circa 1790) an evening resort for purposes mostly vicious was the famous Dog and Duck, in St. George's Fields. "The long room," says Angelo, "if I may depend on my memory, was on the ground floor, and all the benches were filled with motley groups, eating, drinking, and smoking." Angelo also mentions the "Picnic Society," a celebrated resort of fashion at the beginning of the nineteenth century, where the odour of tobacco never penetrated. It afforded, he says in his fine way, "a sort of antipodeal contrast to these smoking tavern clubs of the old city of Trinobantes." The same writer speaks of a certain Monsieur Liviez whom he met in Paris in 1772, who had been one of the first dancers at the Italian Opera House, and maître de ballet at Drury Lane Theatre. This gentleman was addicted to self-indulgence, loved good eating, and good and ample drinking, and moreover kept "late hours, Ã l'Anglaise, smoked his pipe, and drank oceans of punch."
From Chapter 14: Knockdunder's pipe, according to Scott, was made of iron. This was an infrequent material for tobacco-pipes, but there are a few examples in museums. In the Belfast Museum there is a cast iron tobacco-pipe about eighteen inches long. With it are shown another, very short, also of cast iron, the bowl of a brass pipe, and a pipe, about six inches in length, made of sheet iron.
